It remained in that late Wednesday-early Thursday timeslot for the next four and a half years, providing initial network exposure to many of the Chicago radio acting company, who included Hal Peary, Willard Waterman, Mercedes McCambridge, Betty Winkler and Raymond Edward Johnson, among others.
LIGHTS OUT RADIO SHOWS FULL
(1)Īfter 15 months of broadcasts limited to Chicago, NBC promoted Lights Out! to its full (Red) network on April 18, 1935, at 12:30 a.m. Cooper conducted his ghoulish plots accompanied by gory sound effects to the delight of a growing number of listeners who expressed their appreciation with sacks of fan mail that rivaled leading prime time programs. The 15-minute weekly trip into unexplored territories of horror, (expanded by listener demand to a half-hour on Wednesdays four months later), was actually a one-man band production orchestrated by 34 year old writer-producer-director Wyllis Cooper. NBC discovered this at midnight on Monday, Januwhen it premiered Lights Out! on its WENR/Chicago. Late night radio audiences have always been a breed apart - clannish and fiercely loyal to their programs in the very late night and early morning hours while most of the listening world sleeps. Predating them all was what was arguably the goriest of the bunch, Lights Out! which built its audience and its reputation during the post-midnight hours from Chicago. And what Side Man did for jazz, Lights Out does for boxing.When thinking of programs from Network Radio’s Golden Age that were intended to frighten their audiences, it’s natural to consider Suspense, (CBS, 1940-1962), Inner Sanctum, (Blue-ABC & CBS, 1941-1952), The Mysterious Traveler, (Mutual, 1943-1952) or The Witch’s Tale, (Mutual, 1934-1938). That play really dived into family dynamics in a big way, while also exploring - and explaining - an intense type of artistic dedication. His more significant credit - and one that applies more directly - is that he wrote the fabulous Tony Award-winning play Side Man, about a jazz musician and his son. Lights Out is created by Warren Leight, who ran season two of In Treatment for HBO. It's the same premise in Lights Out, except this time there are other issues involved - like money and mobsters. That film is about a boxer, his chance at a title shot, and the tough-as-nails, hot-tempered, loose-cannon family that's in his corner - for good and for bad.
LIGHTS OUT RADIO SHOWS MOVIE
Lights Out, on the surface, has the same basic template as The Fighter, the recent movie starring Mark Wahlberg. This much fresh quality television, so early in the year - I've never seen anything like it.
LIGHTS OUT RADIO SHOWS SERIES
And now, in the second week of 2011, FX gives us Lights Out - which may well end up, 50 weeks from now, as the best new drama series of the year. In the first week of 2011, the Showtime cable network gave us the premiere of Episodes, the Matt LeBlanc comedy that may end up being the best new comedy series of the year.
I'm not sure what's going on here, but I definitely approve. Holt McCallany plays Patrick Leary, a retired boxer itching to make a comeback in the new FX drama Lights Out.
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